defacing, an, entire, population as defuncted porn addiction Swift's album is just enough bullshit to fill a minefield of empty suburban life .xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxa topless pyramid of PERFECTION..............

so, andwhile it is possible to intuit in this music the contours of a genuineness evocative of the liminality of childhood aspiration pertaining on a genuine fact of American ennui as if, even amidst this minefield of worthless neighbors, a person could still imagine the entire country as once again unifiable, although here as this diaspora as matical incredulity in the face of its actual seemingness to belie a world, out there, in which cool as shit shit is actually possible (she describes loose shit nonsense between her loser boyfriends and girlfriends as what a pop album ought to do which is express the whole plethora of potentiality within such a group of famous people as factual), what SWIFT IS ACTUALLY ABOUT is )P(astiche. and what this is is actually a totally Novel Interpretation bar none about culture making according to an assembly-line MANUFACTURING METHODOLOGY whose function, actually, is to provide SUCH A FRAGMENTATIONAL WORLD with both* an an aesthetical placeholder for a Concept of aesthetics as visibility mathematics on color and style GUIDELINES(not actually alamodestyle itself!) and also an affective DISbinding ness on mismatched personality vis a vi its internal responsiveness as dissassociational* reproductive syrum in the GRANDEST PLAN OF ALL TIME FOR A MUSIC ALBUM::::::::: the reassemblage of all society into aPOP CULTURE WORSHIPPING configuration in which one's only actual sexual interest in life is BOUND TO!!!!!!! the intrinsic ways in which these partially mapped concepts of aesthetics themselves harbor an academical lust within them\as_notionalitease****************_of_sexuality-to-fornicationally_instantiate!/²²²²². which is*: to: say::::::

it IS NOT, how Swift looks or sounds that matters; but the complacency with regard to my own life.unless? One, tries all things, themselves, performatively RADICAL in business to gameify a pathway through a morasse of totally broken Country as an illegal immigrant always under threat of penalty and purjury from the 'law'([that IS RELINKED, as cool pop culture fiefdomizated livingtogether as clans, whose fealty TO COOL, is what generates exonerations from infraction imprisonment)].

So, that's, believe it: how this country is defaced by what is otherwise a very good contribution to pop music. In my OWNversion? In my version of life, i have one of her songs from this album broadcasting from a speaker in front of my 'pyramid of perfection' to an animatronic PINOCCHIO doing the best and only rendition of this fucking disjuncted sluts' music I Need To Know About. there's ALOT MORE THEORY HERE you will never comprehend so good luck with it, the CIA will never ever give this shit up until now, thanks fellas I'M STILL WAITING FOR maduro's release, not more of YOUR CONCEPTUAL RETERRITORIALIZATION ofmy world as Indian terrain.?!?!?!?! But! who knows why you'd buy anything other thaen the extended version of this album that contains some of its better mixes of her Gurl'sClub Theory takes, songs like high fidelity and the only one THAT MOUNTS THE radio, in my view:::::track 17.

yes, swift, phoenm's fakeIron rodded dick IS! apparently for euro trash BIGGER THN DA hole sky(thought. said jat ik at):::::

bye bye now, Group I.Q. quotient zero.